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As she comes to the gravel walk that leads from the shrubberies to the sweep before the hall door, she encounters the disgraced Ridgway, doing something or other to one of the shrubs that has come to grief during the late bad weather.,

"It was rather better than I anticipated, thank you," not in the haughty tone adopted by her half an hour ago, but, in an unnerved and frightened whisper.,

Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it.,

"What has he done?" asks Geoffrey, somewhat bewildered and greatly distressed at her apparent grief.

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The son-in-law did not know whether to believe this, and sent his oldest wife to ask the same question. When she came back and told him the same thing he believed that it was really a girl. Then he was glad, for he said to himself, "Now, when this child has grown up, I shall have another wife." He said to his youngest wife, "Take some back fat and pemmican over to your mother; she must be well fed now that she has to nurse this child.",

"I suppose I am speaking to Mrs. Rodney," he says, guessing wildly, yet correctly as it turns out, having heard, as all the country has besides, that the bride is expected at the Towers during the week. He has never all this time removed his black eyes from the perfect face before him with its crimson headgear. He is as one fascinated, who cannot yet explain where the fascination lies.,

"Do not stir. Your head is badly cut, an' it bleeds still," says Mona, with a shoulder. "I cannot stop it. Oh, what shall I do?",

"There is,—a reason not to be surpassed. And as to the parlor,"—in a melancholy tone,—"I could not be happy there, or anywhere, just at present. Unless, indeed,"—this in a very low but carefully distinct tone,—"it be here!"